Is Petta Film a hit or a flop

UFA Serial Drama boss Brunnemann: "A well-functioning daily is the backbone for a broadcaster"

2018 will be exciting - not only because of another special from the outstanding RTL series “GZSZ”, but also because of various new starts. Three pilots are in the works for Sat.1, for RTL the daily specialists are doing the new "girlfriends". A conversation about hits and flops, chance and risk for the broadcasters and about «Forbidden Love» as a hit on YouTube.

3 facts about Markus Brunnemann

  • Brunnemann has been managing director of UFA Fiction and UFA Serial Drama since 2013, alongside Joachim Kosack
  • Brunnemann previously worked at Phoenix Film, a company founded by father Karl-Heinz Brunnemann in the late 1970s. Phoenix Film produced TV hits such as “Edel & Starck”, “Dr. Stefan Frank ”or“ Our Charly ”and was co-producer for the daily“ Verliebt in Berlin ”. Phoenix Film then went into UFA Fiction in 2013
  • Brunnemann was a member of the jury for the German Television Prize in 2005 and 2006
On this cold winter day; let's talk about warming: The quotas of «GZSZ» - it is not uncommon for you to get the highest reach of a whole day in the target group.
An incredible success story. And not just since yesterday. «GZSZ» has been so successful for a very long time. We are of course pleased. Incidentally, our other two RTL dailies, “Alles was geht” and “Unter uns”, also grew in 2017, contrary to the trend in an increasingly fragmented market. So we are more than satisfied here.

In 2018, crime awaits us again at «GZSZ». The character Shirin should, as read on Twitter, get a bigger story
I don't want to give too much away. Dailys live from the fact that the audience is surprised. Petra Kolle and her team have prepared wonderful stories that are not just about crime, but about great emotions and a lot of drama. We are planning a big special this year as well.

2018 will be an exciting year. In the best case scenario, you will start two new dailies at once. What is actually easier when you want to be up to date: start a new series from scratch or renew it step by step, as happens with all of your formats?
That's a very interesting question. Every project is unique and rethought at the beginning. Basically, a daily is always an evolution - depending on how you want it, you can change a series to a greater or lesser extent over time. And it is incredibly important that you are always up to date, no question about it. With a new production, everything is first redone in one fell swoop - the basis is laid for possibly several years or decades. For us as producers, this is a great challenge that brings a lot of fun and a lot of work. One must not hide the fact that there is also pressure associated with it. Our partners place a lot of trust in us, which of course is linked to expectations. We always try to live up to this responsibility in the best possible way.

New dailies have had a hard time lately. «Mila» did not survive long. That was a Sat.1 series that broke new ground for a daily and was therefore perhaps too atypical?
I wasn't on board here during “Mila” times, so I can hardly talk about it and I don't think it's appropriate to judge the work of others in retrospect. But I can say that both Sat.1 and we have followed up and analyzed the series “Mila” incredibly intensively. All issues were exposed. However, it is not that easy: it is not always obvious why something does not work as hoped.

Also «Freundinnen», their new RTL project, should come across quite differently with looseness.
That's the way it is. But it has nothing in common with «Mila». This is not even an apple and pear comparison, but even further away.

“One like none” was perhaps only at first glance a classic telenovela. We had a single mother as the main character and love interest. The figure was charged differently than usual. Usually, telenovelas tell young women who go out into the world and are ready for life. It was different here.
Markus Brunnemann, managing director of UFA Serial Drama
Let's stay briefly with Sat.1, where you celebrated incredible success with “Verliebt in Berlin”, but failed to build on that with “Eine wie keine”. The "Pretty Woman" story in the noble hotel didn't work. Still a mystery to me, which can perhaps best be explained by the market oversaturation at the time?
“One like none” was perhaps only at first glance a classic telenovela. We had a single mother as the main character and love interest. The figure was charged differently than usual. Usually, telenovelas tell young women who go out into the world and are ready for life. It was different here. One can also ask whether the setting in the hotel was the right one for the series. Or else: did we have the right program environment? Did the sender have enough stamina? It would probably take a day to analyze all the details. It's very complex. The fact is: we weren't where we wanted to be.

Read on the next page: What does Markus Brunnemann reveal about the current plans for Sat.1 to implement a new daily?

previous page «» next page

Short URL: qmde.de/99603
I agree...
previous articleThe critics: «crime scene - hung up»next articleThe Glorious 6 - Notable Directing Debuts (Part IV)